Jean-Claude ACQUAVIVA - François ARAGNI - Paul GIANSILY - Stéphane SERRA - Jean SICURANI - Maxime VUILLAMIER

Founded in 1978, this formation, whose principle objective was to participate in the preservation of the island's oral heritage, has largely opened up to the outside world whilst staying anchored in its homeland. The group is characterized by an inventiveness that is continually renewed and exacting performances.

The many collaborations along the way have stimulated the group's creativity and enriched its repertoire, and have led to involvement in theatre, film music and contemporary dance. 

"The group A Filetta was born in October 1978. Back then we did not know, and we still do not, if this was the dream of an outline or the outline of a dream. The sketch of a house that is always open, where intertwined souls can find refuge, who in their quest for eternity, weave and reweave the threads of this ancient way of sharing that is song. The dream of a ship without a port that has left nowhere to sail elsewhere, where immemorial lighthouses could perhaps, one day, tell it : 'it is there, among you, in the shared ephemeral, that vast stretches of eternal happiness are to be found.'" 

 

NEWS


 




CONVERSATION(S) - A FILETTA ET FADIA TOMB EL-HAGE (LIBAN)
Deux concerts Conversation(s) au mois de mars :
- Samedi 4 mars - Théâtre André Malraux - Gagny (93) - 20h45
- Vendredi 24 mars - Espace Diamant - Ajaccio (2A) - 20h30

D’un côté la voix captivante et feutrée de Fadia Tomb El-Hage, de l’autre celles du chœur A Filetta.
Réunis pour la première fois par le chorégraphe Sidi Larbi Cherkaoui pour son spectacle Puz/zle présenté en 2012 au Festival d’Avignon, c’est à la demande d’un autre festival, celui d’Ile-de-France, que les artistes ont imaginé cette version concert. Le chant a capella y apparaît dans toute sa pureté. Chants profanes ou sacrés, interprétés en corse, en arabe ou en syriaque, ils font se rejoindre deux univers et deux traditions musicales dont l’osmose résulte d’une grande écoute et d’une parfaite complémentarité entre les interprètes. Si chacun d’entre eux garde sa spécificité, ces conversations ouvrent des espaces imaginaires qui doucement se dessinent à travers les mélismes des voix et la fusion des timbres. 
De cette rencontre naissent une symbiose unique, une polyphonie limpide, une harmonie intemporelle et poétique rassemblant dans un même élan répertoires corse et oriental.

 



Première de Nabulio / Festival Berlioz 2015

TOURNEE : NABULIO, ORATORIO POUR CHOEUR POLYPHONIQUE, ORCHESTRE ET RECITANT
07/03: Scène Nationale La Coursive, La Rochelle (17)
08/03: Scène Nationale La Coursive, La Rochelle (17)
10/03: Maison des Arts et Loisirs, Laon (02)
11/03: Opéra, Bordeaux (33)

Créé avec succès lors du Festival Berlioz 2015 sur une idée originale de Bruno Messina, directeur du Festival, Nabulio est le titre d'une ode-symphonie en langues corse et française pour choeur polyphonique (A Filetta), orchestre symphonique et récitant, sur le parcours de Napoléon, de son enfance jusqu'à sa mort s'articulant autour de trois thèmes essentiels : l'amour, la mort, ses territoires insulaires (Corse, île d'Elbe, Sainte-Hélène).

Jean-François HEISSER - Direction, piano, célesta/ A FILETTA - Polyphonies corses/ Didier SANDRE De la Comédie Française - Récitant

Textes français : Napoléon Bonaparte
Textes corses : Jean-Claude Acquaviva
Musique : Jean-Claude Acquaviva et Bruno Coulais
Orchestration : Bruno Coulais

 
PRESS

LIBERATION 

“… A FILETTA have become one of the premier groups in Corsican traditional music thanks to their tenacity, knowledge of Corsican polyphony, above all their constant renewal and the openness of their island repertoire to offshore influences...” 

LE MONDE 

“A show for eleven dancers, seven singers and a musician in which Sidi Larbi Cherkaoui returns to a visual sobriety centred on the dancing body, with a great deal of work on movement and rhythm. The work is also sublimated by the breathtaking majesty of the songs of Corsican vocal ensemble A Filetta and Libanese singer Fadia Tomb El-Hage. (...) The seven voices fill the space like gently blowing up a balloon. A penetration, full of finesse, with a limpid polyphonic texture and an elastic magnitude which takes in both the traditional Corsican and the oriental repertoires of the artists. 

L’HUMANITE 

“Far from fixing the score, the group's polyphony finds its force, on the contrary, in the life and emotions generated by work on the voice timbres of each of its members. Guttural sounds, nasal musicality in certain syllables, mix of intonations... All the art of A Filetta's singers is reinforced by a complex harmony of which only they have the secret.”

L’EXPRESS 

"A FILETTA's voices speak to the skin as much as to the ear... A Filetta sing the soul of their island with a universal talent.” 

LE NOUVEL OBSERVATEUR 

“They are one of the most sumptuous of Corsican polyphonic groups that can be heard... Without being untrue to themselves, A FILETTA have been able to open their immemorial art to other forms of expression, notably by working on film music with the composer Bruno Coulais…” 

LE FIGARO 

“A Filetta, or the Corsican universe”. “A Filetta conquer new aesthetic territories and invent new forms.” 

LA TERRASSE 

“Independent and creative, A Filetta reaffirm their refusal to let themselves be reduced to being the guardians of the temple of the island's vocal art, fixed and devoted only to heritage, but rather give life to an inspired ensemble, certainly rooted in their native land but all the better to keep their nose to the wind, or as is the case today, look to the sky like the fern from which they have taken their name.” 

MONDOMIX 

 “A Filetta, the open song”. “The seven Corsican singers of the polyphonic group A Filetta have pursued a demanding but open road since 1978, linking an ageless oral culture to written traditions, without forgetting to go out and meet the world."

 

 


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